"But increasingly, she said, this position feels like I am standing on a small rock in the ocean that is getting even smaller by the minute as the water rises. There has been no territory marked out, she said, and so there is no place where I can take a step and find myself on dry land. It perhaps remains the case, she said, that for a woman to have a territory she must live as Bourgeois's spider, unless she is prepared to camp on male territory and abide by its terms."
Showing posts with label Rachel Cusk. Show all posts
Showing posts with label Rachel Cusk. Show all posts
"I felt that I could swim for miles, out into the ocean: a desire for freedom, an impulse to move, tugged at me as though it were a thread fastened to my chest. It was an impulse I knew well, and I had learned that it was not the summons from a larger world I used to believe it to be. It was simply a desire to escape from what I had. The thread led nowhere, except into ever expanding wastes of anonymity. I could swim out into the sea as far as I liked, if what I wanted was to drown. Yet this impulse, this desire to be free, was still compelling to me: I still, somehow, believed in it, despite having proved that everything about it was illusory."
Posted by Megan Power in
Outline,
Rachel Cusk
“This is an intensely writerly book - highly wrought, allusive - in which everything, from a badly made cake to a bunch of flowers, represents something other than itself. Readers who admire the difficult discipline of self-scrutiny will find precision, beauty and a complicated truth in Cusk's narrative. The censorious will enjoy it, too, for different reasons.”
My sister comes to stay and we take our children to the swings. Later, at the train station, she says to me: you have to learn to hide what you feel from the children. They will feel what they think you feel. They are only reflections of you.
I don't believe that, I say.
If they think you're happy, they'll be happy, my sister says.
Their feelings are their own, I say.
What I feel is that I have jumped from a high place, thinking I could fly, and after a few whirling instants have realised I am simply falling. What I feel is the hurtling approach of disaster. And I have believed they were falling with me, my daughters; I have believed I was looking into their hearts, into their souls, and seen terror and despair there. Is it possible that my children are not windows but mirrors? That what I have seen is my own fall, my own terror, not theirs?
My sister comes to stay and we take our children to the swings. Later, at the train station, she says to me: you have to learn to hide what you feel from the children. They will feel what they think you feel. They are only reflections of you.
I don't believe that, I say.
If they think you're happy, they'll be happy, my sister says.
Their feelings are their own, I say.
What I feel is that I have jumped from a high place, thinking I could fly, and after a few whirling instants have realised I am simply falling. What I feel is the hurtling approach of disaster. And I have believed they were falling with me, my daughters; I have believed I was looking into their hearts, into their souls, and seen terror and despair there. Is it possible that my children are not windows but mirrors? That what I have seen is my own fall, my own terror, not theirs?
Posted by Megan Power in
Rachel Cusk